Today's blog is brought to you by the letter 'N'

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Today's blog is brought to you by the letter 'N'orange letter n tied with plafond and sauvastika knots Moving through the rainbow in a predictable Western sort of way (almost google-ish? 8) the letter 'N' is orange. I wanted each knot to be from a different knot family as well, and for the nicely straight parts of the 'N', the plafond seemed like a good choice. For the corners, something with more built in flexibility would be needed. When I look at the centre of the plafond knot, what I see is the centre of the sauvastika knot. Perhaps this follows logically from the fact that both are built out of interlinked simple overhand knots, but maybe not.

So, all I needed to do was to change the entry/exit points of the sauvastika from the top and bottom to the bottom and the side so that the shape would turn the corner. It was years ago now, so I don't remember my exact process, but to recreate it, I would tie the knot normally, and then push the ends around through the knot until they come out the desired ear. That sounds a bit wacky, so let me rephrase (as a word illustration until I get around to making an illustrated step-by-step for designing customized knots):

  • tie the knot normally
  • either directly connect the ends together mechanically or just move them as if they are connected
  • pull each set of ends (usually one set at the top and one set at the bottom) through the knot carefully, so as to not lose the structure of the knot, until they end at the desired place. Usually at a different ear location. The structure itself can be fiddled with, but it's tricky.

The sauvastika is not the most structurally sound of knots to begin with and when the ears are shortened to nubs, it would be prone to spontaneous self-disassembly if it were not reinforced with thread. I suspect that the plafond knot, on the other hand, would never untie itself even if you used rayon or some other slick and slippery synthetic cord, but maybe I just tension things too tightly.

Reinforcing the structure of knots with thread is a little tricky, at least with satin cord, since the core of the cord is so dense, pushing the needle through can warp your carefully tightened knot. Hiding the thread on the other hand is relatively easy due to the forgiving nature of the surface of the cord. I'm still looking for the perfect needle to do this with however. I like milliners needles because they are long with a small eye so that they also work well with beads and they are strong enough to go through the cords, but it'd be nice if the eyes were longer as some of the places I work are quite dark and sometimes I feel like I'm threading blind. I need to put needle threaders into my carry-everywhere kits... I should probably also try to find sharp but less delicate beading needles.

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